I am a classical composer with a great love for film and storytelling. My music has always had a deeply rooted connection to imagery, as I experience music not only sonically but also visually.

Creating melodies and full scores comes naturally to me. I hear full orchestrations in my head when I experience visuals, whether internal or external, so it's often just a matter of translating my imagination into reality for everyone to hear.

I believe that my musical language for film music is most at home in large settings, in new and imaginative worlds and in emotionally complex stories. It is most effective when it is allowed to become another actor in a film and to be present and noticeable.

With my concert works, both commissioned and personal projects, I also like to tell stories and create images through music. I often engage with stories from otherworldly or nature-bound worlds and tales, but my process for bringing my music into our reality is more technical and modern.

My composition process begins by writing everything on my computer in the form of MIDI notation, which, much like regular sheet music, communicates information about pitch, time and expression, but is specifically accessible to computers and electronic instruments.

This is also useful for rehearsals with musicians, because although they are working on a new piece that has never been performed before, they have a reference for what I intend with the work.

My existing music can be heard at concerts that I cover on my blog, it can be listened to via audio, videos, streaming and CDs of recordings and my digital interpretations, and for performers or anyone who is interested, my sheet music is available for purchase.